Collect 2026
Cavaliero Finn present Verdant Pulse
Emerging from the quiet introspection of winter, Cavaliero Finn's curation "Verdant Pulse" for Collect 2026 was designed to evoke lightness, movement, and the joyful momentum of new beginnings. Rooted in ideas of natural transformation and sensory awakening, Verdant Pulse invites visitors to Somerset House to reconnect with optimism and vitality through the language of craft. It builds a visual and tactile landscape that is both contemplative and invigorating - an environment in which nature's forms and rhythms, human craftsmanship, and the spirit of spring converge, giving us a sense of hope, beauty, and possibility.
“Presented in room W17, in the West Wing of Somerset House, from Wednesday February 25th until Sunday 1st March Cavaliero Finn won an Outstanding Display award for its Verdant Pulse presentation at Collect 2026. The award was presented to us by the new fair director TF Chan, and creative duo, Jordan Cluroe and Russell Whitehead of 2LG Interior Design Studio.
Congratulations go to our artists Katharine Swailes and Richard McVetis whose works were added to the permanent collection of the V&A at the fair.”
Verdure Hanger (2026)
Verdure Hanger (2026) is a series of contemporary woven tapestry works inspired by the chalk woodland slopes — known as hangers — of West Sussex.
The series will be presented with Cavaliero Finn at Collect at Somerset House, London, 26th February — 1st March 2026.
Landscape and Origin
In the West Sussex landscape, a hanger is woodland clinging to the steep north-facing side of a chalk slope, often formed of beech trees rooted in thin soil. Thermals rise through these slopes; moisture gathers and lingers; light is filtered and diffused rather than declared. The hanger becomes less a viewpoint and more a membrane — a place where movement is slow and felt more than seen.
Even in high summer, verdure persists as chalk dries in the heat. Across seasons the atmosphere shifts: light angles change, thermals rise, and winter and summer alike carry the slow gravity of mist. The terrain is defined by subtle climatic changes — air, temperature, moisture — and it is this quiet instability that informs the work.
Process and Material
These woven textile works grow directly from walking and sitting within this landscape. Each tapestry begins as a continuation of the last — holding the memory of an unrecorded green yarn, a diagonal interruption, or an unnamed cotton warp that arrived with the loom and became the silent ground of the composition.
Working at the loom becomes a form of ascent. Moving left to right, bottom to top, I climb and return repeatedly. The warp face becomes a slope; the woven structure echoes the physical act of traversing the hanger. The process is slow and meditative, bound to season and sustained attention. Each thread holds traces of time and place.
Tapestry materials: wool and cotton.
All dimensions include the frame.
Frames: painted wood, Artglass, acid-free mount board.